Buster Keaton is perhaps for many the only other silent film actor they are aware of. Something I learned when I read Roger Ebert’s review of “Steamboat Bill, Jr.” was that Keaton found himself not making the movies he really wanted when he eventually went on to join MGM during the start of the “talkie” age. Previously, Keaton was apparently meticulous with his work. He would repeat a scene over and over again as he saw fit, until he eventually got the effect he wanted. When he lost that control, he began to dislike his hand in the industry. “Steamboat Bill, Jr.” came out one year after 1927’s “The Jazz Singer” which was the very first talkie. Perhaps then Keaton deserves credit for creating such an incredible film and, in terms of quality, defying everything “The Jazz Singer” had to offer film at the time.