Darren Aronofsky has managed to very successfully melt my brain. “Pi” is his debut feature and I’m still sat here thinking about it even as I write. I feel very close to fully understanding it but I’m not quire there and it is driving me insane. Fitting I feel, as this is the exact feeling Max Cohen (Sean Gullette) has as he approaches the number that will show him the numerical system that the universe must abide by. A number that may or may not exist, but Max is driven mad by the desire to find it. This is the premise of “Pi”, one of the most cerebral movies I have ever seen.
I considered not mentioning it, you know. Maybe, I thought, maybe it would be noble of me to completely ignore it and not mention its significance. After all, if I ignored it I would heavily imply that it’s not an issue and that’s where I would like it to be ideally. The main cast of “The Descent” is entirely female and at no point did it ever feel unnatural. Of course, the truth of the matter is that it is unnatural for horror movies to have such an emphasis on an all-female cast that keeps its “personal belongings” personal, but at no point did it ever feel weird or forced and the characters that are weak are not weak because they are female. They are weak because they are weak, it really is brilliant to see. I’m not going to say that I believe all movies should have a solely female cast just to be feminist, but that “The Descent” has proved that it is perfectly believable seeing women survive in tough situations and fight for their lives as any man could and would.