It’s nice to visit an old friend again. I’ve been telling people to watch “District 9” for years now, ever since I watched it with my uncle at the ripe old age of 14 or so. It was nice to pick it up again and finally visit what I’ve been telling people is one of my all time favourite science fiction films. I’ve watched a lot more since then, and I can now recognise that “District 9” isn’t as great as I perhaps made it out to be, but for the most part the intriguing plot and the lack of concrete information we receive about the ‘prawns’ keeps the film engaging until we reach the film’s slightly weaker final act. In essence, I still feel there is a lot to like about Neil Blomkamp’s “District 9”, despite it’s diminishing returns upon my second viewing.
It’s peculiar to think that a director such as Wes Anderson would decide to direct a stop-motion family film based on a book by Roald Dahl, but nevertheless it did happen. It is less surprising to an extent given his admittedly limited work using stop-motion in his films, such as “The Life Aquatic with Steve Zissou” but this time he goes full steam ahead. I remember watching “Fantastic Mr. Fox when it came out and I distinctly recall snorting in superiority when I watched the adverts on TV, back when I was 12 I didn’t give a rat’s ass about who Wes Anderson was but needless to say after the movie I found myself intrigued.
We’re back, just as I was beginning to forget what a bad movie actually was, R.J. Cutler bombs the red carpet with “If I Stay”. A movie starring Chloë Grace Moretz where one thing happens that is worthy of note. The plot is just about there enough that it could have flourished as one of those short films they show before a Pixar movie, but I guess a movie where most of the cast is comatose throughout wasn’t a hit with younger audiences. “I have it!”, says R.J. Cutler, “You know what this depressing plot needs? An equally depressing run time” and so from the depths of the malignant Hollywood money barrel comes “If I Stay”. The latest film about comas that accomplishes the esteemed and highly sought after achievement of making you envy the Sleeping Beauty played by Moretz herself.
James Bond is infinitely entertaining. These series has so far done nothing but demonstrate to me that he is someone I will never get tired of, and he oozes potential. If only the big budget blockbusters of today could all match up to the sheer enjoyment level supplemented by “Goldfinger”, the third Bond outing this time directed by Guy Hamilton (who would later return to the series with “Diamonds are Forever”, “Live and Let Die” and “The Man With the Golden Gun”). Sean Connery proves even more sufficiently that he completely understands the character of James Bond. People complained of Roger Moore’s age in “A View to a Kill”, but I think I’d pay anything to see the 85 year old Connery give the role one last bash.
Michael Bay IS the modern master of suspense. Forget Hitchcock, this guy can make me believe that this time things will be different between us. Maybe, just maybe this time will be the money. The first “Transformers” in 2007 was average but I can certainly see the appeal. The second movie, “Revenge of the Fallen” I had down as one of the single worst movies I have ever seen. “Dark of the Moon” in 2011 struck somewhere in the middle of those two quality wise, so when I heard that “Transformers: Age of Extinction” was going to be a “soft” reboot of the franchise I was almost excited. Michael Bay has kicked me in the teeth once again with a movie that is not only jarringly similar to the three previous “Transformer” films but is actually worse than the abomination that is “Revenge of Fallen”.
“Lucy” didn’t last long before I began to re-evaluate my expectations.
“So this is a movie about a girl who uses 100% of her brain to get really smart? Is Luc Besson treating us like idiots with this banal flashback of a rat walking into a trap on purpose? Maybe he is trying to tell us how dumb we are right now… but later on the film will get really smart as Lucy (Scarlet Johansson) gets smart?”
There are no surprises anymore. Not here, anyway. “Transformers: Dark of the Moon” returns us to the Autobots and the Decepticons as they battle it out to save planet Earth. Megatron (Hugo Weaving) thankfully isn’t the sole antagonist this time but that hardly makes things what the suits call “interesting”. Shia LaBouef is back as Sam Witwicky, the focus of the film despite his inescapable irrelevancy. I suppose I should say something like “I loved the special effects!”. I also love tea, but God forbid you serve without milk.