I don’t really know if there will be any benefit to me telling you just how good “Back to the Future” is. You’ve probably seen it and almost certainly loved it. If you haven’t seen it, you’ve almost certainly been told at some point that you are missing something pretty special. Perhaps I can help those who have heard it’s good but don’t quite believe it, your friends are right. It’s one of the greatest family movies to have ever been released. Sometimes you might not feel like watching a “heavy” classic, sometimes an action movie just wont suit you and neither will a horror. “Back to the Future”? Everyday of the week.
It is always a shame to hear that a great film wasn’t appreciated by its contemporary audience, but it unfortunately happens far more often than might be initially expected. “The Night of the Hunter” is a gem — a gem that has been painstakingly crafted into the best of its kind — a gem where how it came to be is just as important as what it sets out to convey — a gem that manipulates light into a thing of beauty in a way that seems almost impossible and sometimes uncanny. Light and dark swathe the sets created in Charles Laughton’s magnum opus which just so happened to be his only film of his career. If he decided not to direct again because of the attacks from the critics and audiences of the time then its hard not to feel like the brightest candle had been snuffed out just as it got burning.