Some might see the fact that a book relies somewhat on the readers ability to imagine the scenarios that are being written about as a flaw. Film is often seen as having an advantage in that it is able to portray visually what is happening without the limitations of certain peoples imagination. “The Blair Witch Project” relies on the human imagination much as a book does, and the fact that a lot of the movie involves what you can’t actually see — and often can’t hear — makes it an unbelievably effective horror film. It preys on our fear of the unknown, and does so throughout until the final gut wrenching moments of the film. The found footage horror genre truly began here, where the method was used to the greatest effect.
I considered not mentioning it, you know. Maybe, I thought, maybe it would be noble of me to completely ignore it and not mention its significance. After all, if I ignored it I would heavily imply that it’s not an issue and that’s where I would like it to be ideally. The main cast of “The Descent” is entirely female and at no point did it ever feel unnatural. Of course, the truth of the matter is that it is unnatural for horror movies to have such an emphasis on an all-female cast that keeps its “personal belongings” personal, but at no point did it ever feel weird or forced and the characters that are weak are not weak because they are female. They are weak because they are weak, it really is brilliant to see. I’m not going to say that I believe all movies should have a solely female cast just to be feminist, but that “The Descent” has proved that it is perfectly believable seeing women survive in tough situations and fight for their lives as any man could and would.