Since the original “Planet of the Apes” back in 1968, the sequels have tried to replicate it’s significance and meaning. Well, all except “Rise of the Planet of the Apes”, which had a bigger focus on plot and narrative than actual meaning. “Dawn of the Planet of the Apes” is incredibly significant, far more so than the original ever was, and that is saying something. There are so many different messages within the film that I couldn’t sit here and tell you about all of them, and the likelihood is that I’ve forgotten some of them or just not even picked up on them. It’s not a film where the meaning is well hidden behind avant garde film making, that’s not to say that “Dawn” isn’t a smart and delightfully artistic film, because it is. It’s just the case that you would have to be a real troglodyte not to take anything at all away from the film. I have a lot to say, because “Dawn of the Planet of the Apes” is, and I believe always will be; a culturally, historically and aesthetically significant film. I do adamantly implore you to watch “Rise of the Planet of the Apes” before this as it is also very good and it would be a shame for me to spoil it in this review, which I will.
“Beneath the Planet of the Apes” was the first sequel to “Planet of the Apes” and my opinion of it was that of utter indifference. My biggest problem with it was the knowledge that the series had continued and that, as is usually the case, things could only get worse from here. I’m so genuinely happy to report that that’s not the case, “Escape from the Planet of the Apes” is no masterpiece, but it isn’t bad and is certainly above average with a suitable amount of new ideas resulting from it’s obvious attempt to genuinely shake up the franchise in an effort to make it fresh, and in some respects, they succeeded.