The Mafia is the most interesting crime organisation out there, and Martin Scorsese understands this as well as the Mafia itself all too well. He knows that the inner workings of the Italian crime family is fascinating to those who avidly pursue the knowledge of what goes on under the surface and even more so to those who blissfully ignore its ethereal presence. It is completely inappropriate that I am reminded of the vampire council in “Blade”, but regardless, I am. An organisation that is everywhere but never seen, and have their blood soaked tendrils in everything. The vampire council requires money to get blood, but the Mafia require blood to get money.
“Thrilling horror… One to make the reader dread to turn around… To curdle the blood… And quicken the beatings of the heart.”
This is what is spoken during the opening credits of “Frankenstein”. A quote from Mary Shelley herself, the author of what is perhaps the most famous of novels. Never before have I considered how disturbing a tale “Frankenstein” really was until I began to read the novel recently. We are filled with images of the square headed lug’s bolted head, and this image is forever engrained, but this version of the novel brings the creature back to its roots. Kenneth Branagh stars and directs this new adaptation of one of the greatest Gothic novels to surface since the genres inception, and he does so faithfully. Much of the imagery is carried over and so are the themes and motifs, but the inconsistent narrative holds “Frankenstein” back from greatness.