“Guardians of the Galaxy” presents new ideas to the blockbuster strategy, or at the very least, Marvel’s take on how to effectively make blockbuster movies. With “Guardians” we see that Marvel doesn’t just insist on playing it safe with their tried and tested franchises, namely anything to do with “The Avengers”. I knew before sitting down to watch the film that if it is received positively by the general audience then perhaps more than just Marvel studios will be given the green light to really try something new and to at the very least be able to take themselves less seriously once in a while. If the optimist inside hadn’t shrivelled up and wasted away whilst watching “The Amazing Spider-Man 2”, I would tell you that “Guardians of the Galaxy” is sure to give way to a glorious era of a new breed of blockbuster, which is still recognisable as such with the action and the visuals but with just more of a difference. Whether it will or not I can’t say, but “Guardians of the Galaxy” is certainly different and refreshingly so, fingers crossed for the future.
Since the original “Planet of the Apes” back in 1968, the sequels have tried to replicate it’s significance and meaning. Well, all except “Rise of the Planet of the Apes”, which had a bigger focus on plot and narrative than actual meaning. “Dawn of the Planet of the Apes” is incredibly significant, far more so than the original ever was, and that is saying something. There are so many different messages within the film that I couldn’t sit here and tell you about all of them, and the likelihood is that I’ve forgotten some of them or just not even picked up on them. It’s not a film where the meaning is well hidden behind avant garde film making, that’s not to say that “Dawn” isn’t a smart and delightfully artistic film, because it is. It’s just the case that you would have to be a real troglodyte not to take anything at all away from the film. I have a lot to say, because “Dawn of the Planet of the Apes” is, and I believe always will be; a culturally, historically and aesthetically significant film. I do adamantly implore you to watch “Rise of the Planet of the Apes” before this as it is also very good and it would be a shame for me to spoil it in this review, which I will.
“Rise of the Planet of the Apes” might be marketed as a prequel, and it certainly feels like one, but it definitely isn’t something you should watch before the original series or the Tim Burton remake. It takes the established concepts of “The Planet of the Apes” franchise and rewrites the beginnings of the rise of the apes and the decline of humanity. “Rise” certainly begs for a sequel and I eagerly await to see it, but “Rise” doesn’t cheaply give you a cliffhanger ending just to entice you for it. It does what all blockbusters, or any film in fact, should do. It makes you want more by proving to you that what it has to give is grand ideas and even grander execution. “Rise” is amazing, dare I say it, it’s even better than the original and certainly better than any of it’s sequels.