“The Fast and the Furious” is a whirlwind of simplistic virtues. With the release of the seventh movie of the franchise I decided to undertake the task of watching the previous six movies. I am a longtime sufferer of sequel syndrome and refuse to watch a movie without having seen the previous, it’s an incurable affliction. So here I am, starting at first base and just now realising that this analogy will only apply to a quadrilogy, but I digress. As simple as it is, “The Fast and the Furious” is sufficiently stylish and vibrant enough that it becomes easy to appreciate how Rob Cohen brings these elements together. There is nothing new here of course, but these cars go really, really fast.
I’ve watched the previews; seen the trailers and read the reviews. Many of them say the same thing in their own unique order: ‘I had absolutely no desire to see “Cinderella” when it first came to my attention’. Who can blame them? There’s an inescapable cast iron ball of assumption attached to the ankle of “Cinderella” that can be directly attributed to recent attempts such as like “Hansel and Gretel: Witch Hunters”, “Mirror Mirror” and “Alice in Wonderland”. My opinions aside, the general reception of the modern movie adaptation of the classic Disney fairy tale is fairly mute. Then comes “Cinderella”, somewhat unannounced in the years first quarter, to show those movies how its done. Buy your ticket online so that you aren’t dissuaded by the “G” rating, the glitter and — In what will be your most trying test — the little girls dressed in frilly blue dresses that threaten to make you think better of yourself. “Cinderella” is a light but nonetheless enjoyable film that may be somewhat forgettable for playing it safe but is a great deal of fun without a talking rat in sight.
“Cast Away” is in some ways a pseudo-bottleneck movie, it removes something that would usually be considered crucial to the smooth operation of any movie, characters. Or at least for the most part, before our protagonist washes up on the unnamed island we see him propose to his fiancé whilst furiously trying to rearrange work schedules to be there for her. It is the island though, that is the soul of “Cast Away” and I have huge respect for Robert Zemeckis who has managed to create a lengthy and consistently engaging movie using almost just the dedication to acting demonstrated by Tom Hanks and his heartfelt method of film making.
The Mafia is the most interesting crime organisation out there, and Martin Scorsese understands this as well as the Mafia itself all too well. He knows that the inner workings of the Italian crime family is fascinating to those who avidly pursue the knowledge of what goes on under the surface and even more so to those who blissfully ignore its ethereal presence. It is completely inappropriate that I am reminded of the vampire council in “Blade”, but regardless, I am. An organisation that is everywhere but never seen, and have their blood soaked tendrils in everything. The vampire council requires money to get blood, but the Mafia require blood to get money.